Exhaustion and its effects have begun to sink in, for all of us involved. The glazed-over look has become all the rage in the wing of Orchestra Hall we’ve taken over.
Have I lost focus, here in orchestra-orgasmafantasyland? Have I begun to think that now I would actually like to inhabit this world and set up a little patisserie?
A reading is one of those things that there is nothing you can do to prepare for (other than the hundreds of hours making the paper look good). Once you are there, it just happens, whether you’re ready for it or not.
It’s become a joke among us composers here in Minnesota. In our face-time meetings with members of the orchestra, when we get to the part when it’s time to talk about individual pieces, it happens without fail: “Now first, where’s Sean? Who wrote surface tension?”
Today, we focused on the nitty-gritty. The basics in terms of law, our rights, and even more, $$$. Well, maybe only $.
It was a marathon of various happenings that started this morning. After our breakfast meet-and-greet with Aaron and Beth, the Orchestra’s artistic planning associate, we launched (and lurched) right into our first working meetings: sessions with members of the orchestra to discuss our pieces.
Sean Shepherd is one of eight composers who will have a piece read during the 2006 Minnesota Orchestra Reading Sessions and Composer Institute (the American Music Center is a partner in this project). Sean has just landed in the Twin Cities, and he has agreed to give us a play-by-play of what’s happening up north each day over the next week.