Author Archives: Ratzo B. Harris

Culture Counter Culture

Hogarth-Rake'sProgress

Today’s world of music, while filled with heartfelt respect and affection, is also filled with contradictions and subterfuge that can lead many to psychic states ranging from hilarious disbelief to despondent bitterness.

Jazz in Education

Russian Jazz Book 1926

There are three ways of learning any subject: (1) mentorship, (2) independent scholarship, and (3) the academic setting. For reasons of racial disparity, jazz was primarily learned throughout the 20th century by independent scholarship, coupled with mentorship; the latter being largely part-and-parcel of on-the-job training.

Thoughts of Mainstream

Butch's Blues

The struggle of jazz artists to be recognized for their artistic merit is worth examination. My own sense is that the argument has always boiled down to two issues: one’s skin color and one’s economic status. Paradoxically, popular music has been generally understood to be artistically inferior to “creative” music, even though it makes much more money. Over the course of its history, jazz moved from novelty, to popular, to “creative.”

9/11 – Jazz

Every year since 2005, E. J. Decker has produced Heart of Jazz, an assemblage of thirty to forty jazz singers and instrumentalists who get together to honor the memory of those lost in the tragic collapse of the World Trade Center towers on September 11, 2001. Until now, no documentation has existed for these performances. [Video content included.]

The Smithsonian Institute Blues

Jazz: The Smithsonian Anthology, the latest edition of the seminal collection originally released forty years ago, has the most democratic profile of any of its antecedents, but there are still some questionable inclusions and omissions as well as some curious musical pronouncements in the set’s accompanying annotations, e.g. should Ornette Coleman be called a microtonalist?

Lest We Forget

One of the names left out of my post last week was that of Sathima Bea Benjamin, who passed away on August 20, the same day as pianist Marian McPartland. Benjamin spent much of her time working as a political activist, in addition to serving as the manager and agent for her husband, pianist Abdullah Ibrahim. But she also remained active as a singer and recording artist herself, even though her own artistic accomplishments remained largely invisible.

Turn Out the Stars

Three of the American music community’s most influential luminaries–pianists Marian McPartland and Cedar Walton plus author Albert Murray–passed in the first three days of this week. They, along with pianist-producer-composer-singer George Duke, whom we lost on August 5, should be acknowledged.

Copy Rites

Copyright regulations are intended to entitle the creator of a work exclusive rights for a period of time; currently 70 years beyond the life of the composer. Unfortunately, loopholes exist that obfuscate authorship.

Delay Is Denial

A well-rounded musician should be able to improvise as well as compose and/or perform music; it’s a matter of being able to speak as well as listen! Probably one of the hardest things to accept about improvisation is that learning how to improvise is done by improvising.

Up Against the Ceiling

Pursuing music as a vocation in America requires a sense of dedication and commitment that defies what most reasonable people would consider sound decision-making. The average veterinarian in 2010 was paid $82,000 per year; in 2011 the average mail sorter earned $48,400. Musicians average around $34,000.