Author Archives: NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center Patrick Hardish, Composer; Co-Director, Composers Concordance

Patrick Hardishphoto by Barry CohenCourtesy of Patrick Hardish Otto Luening was a great mentor and influence as well as being a close personal friend. He was important to my development as a composer and on the progress of our organization, the Composers Concordance. I got to know Otto in July 1980 at Bennington College where […]

Personal Anecdotes About the Founders of the American Music Center Vivian Perlis, Director, Oral History of American Music, Yale University

Vivian Perlisphoto by NewMusicBox While working with Aaron Copland’s papers that were filed in the basement of his house in Peekskill, New York, I came upon six assignment books for Rubin Goldmark, the celebrated composition teacher in Manhattan. Copland was astonished to see things he had not looked at for over sixty years. “Holy Moses! […]

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years?

Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]

Soundtracks: October 1999

Of the 24 discs featured in our current SoundTracks round-up, only 2 are discs of electronic music: David Doty‘s multicultural microtonal synthesizer landscapes and the unique multi-tracking experiments of Robert Paredes. A third CD, Future Flute — Margaret Lancaster’s recital disc of works by four composers, features works which combine flute with computer electronics. Still, […]

Describe your best and worst memories of premiere performances

John Corigliano“The best premiere I can remember is that of my Clarinet Concerto with Leonard Bernstein conducting the New York Philharmonic and Stanley Drucker as the soloist…” Tim Page“…I’d choose the first performance of the orchestral version of Reich’s Tehillim in 1981 as the “worst” premiere.” Laurel Ann Maurer“I premiered [Meyer Kupferman's] work “Chaconne Sonata” […]

Soundtracks: September 1999

As the cost of making orchestral recordings in the United States continues to skyrocket, less than 15 recordings by the major American orchestras have been slated for studio time this year. Clearly, something must be done to make American orchestral recordings viable once again and the answer is in the recording of new American repertoire. […]