Author Archives: NewMusicBox Staff

Self-Published Composers Explain What They Do and Why Amy Rubin

Amy Rubinphoto courtesy of Musicians Accord Self-publishing has permitted me to circulate my music to a wide variety of performers throughout the United States and Europe. I send perusal scores as quickly as possible to ensembles and soloists who express general interest in my work, and in addition I answer “calls for scores” listed in […]

Self-Published Composers Explain What They Do and Why Andrew Rudin

Andrew Rudinphoto courtesy of Skåne Hill Music Somewhere in a warehouse in the Midwest, hundreds of copies of a work I wrote for flute & piano lie sequestered by a major American music publisher. After contracting to publish the work, three years elapsed before engraving was accomplished and 1st proofs offered. Another year and a […]

Self-Published Composers Explain What They Do and Why Theodore Wiprud

Theodore Wiprudphoto courtesy of Allemar Music Self-publishing used to be a default position for me: no corporate publisher had brought out my music so I was the one copying scores and parts. Later I made a conscious decision to take my career into my own hands, to claim full responsibility for finding performers and an […]

Publishing, Self-Publishing, and the Internet

A panel held during the Women’s Philharmonic‘s “Composing A Career” SymposiumThe New School for Social Research, NYCSaturday, November 6, 1999—2:30-3:30 p.m. Fran Richard : Vice President of Concert Music, ASCAP Ralph Jackson : Assistant Vice President, Classical Music Administration, BMI Linda Golding : President, Boosey & Hawkes Jennifer Higdon : Self-Published Composer Frank J. Oteri […]

How does the venue and the audience affect the music you play?

Kitty BrazeltonComposer/Vocalist“…I may start with the same message but I don’t say it the same – to different people or in different environments…” Nick DidkovskyComposer/Guitarist“…It’s best when the audience is working as hard as we are to make the event happen…” Oliver LakeComposer/Saxophonist“…The main thing is that I play honestly and from my heart, and […]

Soundtracks: January 2000

For our first compendium of new American music CDs of the millennium, of course, we’re continuing to feature discs that were recorded in the last millennium! But in the coming months we will soon find out that like so many other terms that need to be re-examined, the appellation “20th century music” no longer suffices […]

How does the venue and the audience affect the music you play? Oliver Lake

Oliver LakePhoto by Chris Drukker It’s very difficult to describe the effect that different venues have on my performances. Certain audiences have different energies. Often the audience becomes a part of the performance and that can affect the performance in different ways. The more intimate, the better. I primarily play for myself and hope that […]