Author Archives: NewMusicBox Staff

Publishing, Self-Publishing, and the Internet

A panel held during the Women’s Philharmonic‘s “Composing A Career” SymposiumThe New School for Social Research, NYCSaturday, November 6, 1999—2:30-3:30 p.m. Fran Richard : Vice President of Concert Music, ASCAP Ralph Jackson : Assistant Vice President, Classical Music Administration, BMI Linda Golding : President, Boosey & Hawkes Jennifer Higdon : Self-Published Composer Frank J. Oteri […]

How does the venue and the audience affect the music you play?

Kitty BrazeltonComposer/Vocalist“…I may start with the same message but I don’t say it the same – to different people or in different environments…” Nick DidkovskyComposer/Guitarist“…It’s best when the audience is working as hard as we are to make the event happen…” Oliver LakeComposer/Saxophonist“…The main thing is that I play honestly and from my heart, and […]

Soundtracks: January 2000

For our first compendium of new American music CDs of the millennium, of course, we’re continuing to feature discs that were recorded in the last millennium! But in the coming months we will soon find out that like so many other terms that need to be re-examined, the appellation “20th century music” no longer suffices […]

How does the venue and the audience affect the music you play? Oliver Lake

Oliver LakePhoto by Chris Drukker It’s very difficult to describe the effect that different venues have on my performances. Certain audiences have different energies. Often the audience becomes a part of the performance and that can affect the performance in different ways. The more intimate, the better. I primarily play for myself and hope that […]

How did your education shape your attitudes about music? Jonathan Sheffer, Composer; Founder, Conductor and Artistic Director of the Eos Orchestra

Jonathan ShefferPhoto by Stephanie Berger My musical education began at the Westport School of Music, where as a preschooler I was taught the basics of major and minor scales, and began piano lessons. I recall we were rewarded often with candy. The next most important influence in my musical education was the Bernstein Young People’s […]

An Arts Education Symposium

The legendary American educational philosopher Maxine Greene (b. 1917) met with Hollis Headrick (Executive Director, The Center for Arts Education), Polly Kahn (Director of Education, New York Philharmonic), Richard Kessler, and Frank J. Oteri to discuss the role new music could p[lay in arts education.