Author Archives: NewMusicBox Staff

Self-Published Composers Explain What They Do and Why Jennifer Higdon

Jennifer Higdonphoto by Patented Photos I basically do everything that an established publishing house does: I take orders from customers, print scores and parts, do the binding, mail the music, do the billing, report performances to ASCAP, and negotiate contracts for commissions. The duplication of music is not that difficult – any copy place can […]

Self-Published Composers Explain What They Do and Why Donald Martino

Donald Martinophoto by Lourdes Awad, courtesy of Dantalian, Inc. If not the first, I am certainly very nearly the first composer to establish by himself, for himself, and without banding together with other composers, a fully commercial publishing house which produces engraved or autographed editions in quantity by offset printing. It was the emerging tendency […]

Self-Published Composers Explain What They Do and Why Terry Riley

Terry Rileyphoto courtesy New Albion Records For many years my written music was being handled for me by a publisher which was somewhat unfamiliar with what is needed to send out scores and parts to orchestras and other chamber groups. I supplied them with masters that were for the most part printed out from my […]

Self-Published Composers Explain What They Do and Why Amy Rubin

Amy Rubinphoto courtesy of Musicians Accord Self-publishing has permitted me to circulate my music to a wide variety of performers throughout the United States and Europe. I send perusal scores as quickly as possible to ensembles and soloists who express general interest in my work, and in addition I answer “calls for scores” listed in […]

Self-Published Composers Explain What They Do and Why Andrew Rudin

Andrew Rudinphoto courtesy of Skåne Hill Music Somewhere in a warehouse in the Midwest, hundreds of copies of a work I wrote for flute & piano lie sequestered by a major American music publisher. After contracting to publish the work, three years elapsed before engraving was accomplished and 1st proofs offered. Another year and a […]

Self-Published Composers Explain What They Do and Why Theodore Wiprud

Theodore Wiprudphoto courtesy of Allemar Music Self-publishing used to be a default position for me: no corporate publisher had brought out my music so I was the one copying scores and parts. Later I made a conscious decision to take my career into my own hands, to claim full responsibility for finding performers and an […]

Publishing, Self-Publishing, and the Internet

A panel held during the Women’s Philharmonic‘s “Composing A Career” SymposiumThe New School for Social Research, NYCSaturday, November 6, 1999—2:30-3:30 p.m. Fran Richard : Vice President of Concert Music, ASCAP Ralph Jackson : Assistant Vice President, Classical Music Administration, BMI Linda Golding : President, Boosey & Hawkes Jennifer Higdon : Self-Published Composer Frank J. Oteri […]

How does the venue and the audience affect the music you play?

Kitty BrazeltonComposer/Vocalist“…I may start with the same message but I don’t say it the same – to different people or in different environments…” Nick DidkovskyComposer/Guitarist“…It’s best when the audience is working as hard as we are to make the event happen…” Oliver LakeComposer/Saxophonist“…The main thing is that I play honestly and from my heart, and […]

Soundtracks: January 2000

For our first compendium of new American music CDs of the millennium, of course, we’re continuing to feature discs that were recorded in the last millennium! But in the coming months we will soon find out that like so many other terms that need to be re-examined, the appellation “20th century music” no longer suffices […]