Author Archives: NewMusicBox Staff

American Music’s “Elder Statespeople” Comment on the Future of Music

Henry Brant“…Genuine indigenous music worldwide is disappearing…” Marian McPartland“…I can’t think of playing music and not including something by Dizzy Gillespie or Thelonious Monk or Wayne Shorter…” George Perle“…I have been offered 100 words to reply to the question, “What is the future of music?” but I need only three…” George Rochberg“…Surfaces keep changing, never […]

American Music’s “Elder Statespeople” Comment on the Future of Music Henry Brant

Henry BrantPhoto by Kathy Wilkowski, courtesy of Henry Brant What is happening in music may be compared to the current degradation of the natural world environment. Most music today emerges from loudspeakers, rather than from acoustically natural sources. In the United States, public interest is largely confined to commercial popular music. Genuine indigenous music worldwide […]

American Music’s “Elder Statespeople” Comment on the Future of Music George Rochberg

George RochbergPhoto courtesy Theodore Presser Company “Res Severa Verum Gaudium.” (“Serious things [bring] true joy.”) The past is in every present, hence in every future. “Eternity is in love with the products of Time.” (Blake) Surfaces keep changing, never substrata. The 18th/19th centuries’ in-gatherers all loved Res Severa. Their reward, Verum Gaudium, The Beautiful. Surfaces […]

Self-Published Composers Explain What They Do and Why

Randall Davidson, Composer and Publisher of Boys Art Music“Self-publishing contemporary music is not at the glamorous end of the tide-pool…” Jennifer Higdon, Composer“…it seemed absurd to me to have to give up the copyright to my own creative work…” Donald Martino, Composer and Publisher of Dantalian, Inc.“…To obsessive types like myself it brings enormous satisfaction […]

Soundtracks: February 2000

While discs continue to appear on our desks that were recorded and released in 1999, the first batch of recordings with a triple-zero date have begun to surface. This is indeed an exciting time because all new music is old and contrapositively all old music is new! Plenty of new music is featuring on a […]

Self-Published Composers Explain What They Do and Why Randall Davidson

Randall Davidsonphoto courtesy of Boys Art Music Self-publishing contemporary music is not at the glamorous end of the tide-pool. As a result, very little of my time is spent addressing the ocean of conductor/producers in the world who “might” use my music. I’m more aware of what’s close at hand, of the subtle currents that […]

Self-Published Composers Explain What They Do and Why Jennifer Higdon

Jennifer Higdonphoto by Patented Photos I basically do everything that an established publishing house does: I take orders from customers, print scores and parts, do the binding, mail the music, do the billing, report performances to ASCAP, and negotiate contracts for commissions. The duplication of music is not that difficult – any copy place can […]

Self-Published Composers Explain What They Do and Why Donald Martino

Donald Martinophoto by Lourdes Awad, courtesy of Dantalian, Inc. If not the first, I am certainly very nearly the first composer to establish by himself, for himself, and without banding together with other composers, a fully commercial publishing house which produces engraved or autographed editions in quantity by offset printing. It was the emerging tendency […]