Playwright, composer, and performer Lin-Manuel Miranda, 35, was recognized for his work which reimagines “American musical theater in works that fuse traditional storytelling with contemporary musical styles and voices.” Mimi Lien, a set designer for productions such as Dave Malloy’s Natasha, Pierre, and the Great Comet of 1812, was also among this year’s round of 24 fellows.
Four emerging composers have been chosen from a national candidate pool to participate in the 2015 Columbus Symphony EarShot program. Activities will include two intensive reading sessions/rehearsals, feedback sessions with orchestra musicians and mentor composers, a final dress-rehearsal, and a public concert that is part of the CSO’s Happy Hour Concert Series.
Taking place January 7-9, 2016, at the Peabody Institute in Baltimore, the focus of this year’s meeting will be on “Communities.”
The International Contemporary Ensemble (ICE) has announced that Vanessa Rose will be its new executive director as of September 1, 2015.
Today the Detroit Symphony became the first American orchestra to make its performance archive available on-demand. Among the 100 full-length works featured are pieces of music by 17 living composers.
A World Wide Web Consortium Music Notation Community Group has been launched as the result of a partnership of MakeMusic, Steinberg, and Hal Leonard/Noteflight.
Chamber Music America has announced the recipients of its 2016 commissioning programs, supporting the creation of new works for small ensembles. CMA will distribute a total of $475,000 to 21 ensembles through two of its major grant programs: New Jazz Works, supported by the Doris Duke Charitable Foundation; and Classical Commissioning, supported by The Andrew W. Mellon Foundation.
In partnership with the Los Angeles-based new music ensemble wild Up, the American Composers Forum has announced the three winners of the 2015 American Composers Forum National Composition Contest, their fourth thus far.
While many commenters to Bill Holab’s article directly focused on the immediate topic of yay or nay vis-à-vis Sibelius 8, others have passionately advocated for alternative music notation software programs.
The 54 awarded projects include concerts and recordings as well as dance, film, theater, opera, and more, all involving contemporary music as an essential element.