Author Archives: Molly Sheridan

About Molly Sheridan

Molly Sheridan is a writer, editor, and producer specializing in classical and experimental music, with a focus on multimedia content designed for the web. A winner of ASCAP’s Deems Taylor Award for music journalism, she is the executive editor of NewMusicBox and Counterstream Radio, both programs of New Music USA.

Sounds Heard: Vicious World Plays the Music of Rufus Wainwright

When I opened the mailer that contained Vicious World Plays the Music of Rufus Wainwright, I questioned the prudence of this recording decision before I even had the shrink wrap fully removed. I mention this just in case your anti-muzak instincts are already telling you something similar. For those open-minded enough to wait until you actually hear a bit of it before making such a judgment call, well, you’re less jaded than I am.

Concluding Commissions: Seattle Celebrates Gerard Schwarz’s Commitment to New Music

This year in Seattle, Gerard Schwarz and the Seattle Symphony are celebrating the music director’s final season at the helm of the orchestra by presenting 22 world premieres, including 18 new works commissioned under the banner of the Gund/Simonyi Farewell Commissions. We caught up with the maestro in advance of his final concerts of the season to chat about new music, new ideas, and not taking no for an answer.

Sounds Heard: Graham Reynolds—The Difference Engine

Austin, Texas-based composer Graham Reynolds’s The Difference Engine: A Triple Concerto does not waste notes getting your attention and it keeps a firm hold on it. His language is evocative and direct: It is as if Reynolds is delivering to your ear a mysterious and ambiguous tale in sound—wildly open to interpretation, of course, but it’s a page-turner nonetheless.

David T. Little: Witness In Sound

Drawing from an eclectic stylistic palette as he tackles an equally diverse roster of topics—from fossil fuels to the experiences of soldiers at war and at home—David T. Little demonstrates himself to be an artist with open ears and passionate convictions.

Sounds Heard: Gyan Riley—Stream of Gratitude

Far from the generic of solo guitar playing that crowds the sound systems of tapas restaurants and Pier 1 Imports retailers, Gyan Riley’s Stream of Gratitude is a collection of four pieces that show him to be a skilled performer of music that is both deeply personal and profoundly inspired.

John Luther Adams: The Music of a True Place

In many cases, the aural images John Luther Adams creates can be directly traced to the powerful natural world that surrounds him in his home state of Alaska, a landscape that has undeniably left its imprint on his work. More broadly, however, Adams uses composition as a way to explore and understand the world around him, regardless of borders real and imagined.