Author Archives: Molly Sheridan

About Molly Sheridan

Molly Sheridan is a writer, editor, and producer specializing in classical and experimental music, with a focus on multimedia content designed for the web. A winner of ASCAP’s Deems Taylor Award for music journalism, she is the executive editor of NewMusicBox and Counterstream Radio, both programs of New Music USA.

2004: Keys to the Kingdom

Paul Moravec and Fran Richard

Sure, Mark Zuckerberg and pals launched Facebook in 2004, but NewMusicBox was already cruising into its 5th anniversary by that point. For the traditionalists in the house, the appropriate gift is wood, which we needed because the year was rife with arguments over genre fence lines.

Dave Malloy: Singing for His Soul (Not His Supper)

Dave Malloy

Composer Dave Malloy took NYC musical theater by storm with his Natasha, Pierre & The Great Comet of 1812, but his path to Off-Broadway success began in San Francisco’s experimental theater community—and he’s holding on tightly to that non-traditional approach.

Let’s Get Critical

Popcorn

For as much as it stirs the pot when a “serious music” review mentions the soloist’s hem line, it turns out things get even more heated when pop goes under the cold lens of the theoretical magnifying glass.

Sounds Heard: Zwerm—Underwater Princess Waltz

Zwerm—Underwater Princess Waltz

The Belgian/Dutch electric guitar quartet Zwerm presents a fascinating collection of one-page pieces by American composers that rely on everything from more-or-less traditional notation to what one might characterize as “Marvel comic super heroes battle a graphic score.”

Sounds Heard: Things You Already Know

new releases from Chris Campbell, David T. Little, and Aaron Irwin

It’s always exciting to find a “new” favorite piece of music or music maker, but digging deeper into a known artist’s catalog offers its own myriad rewards. This week we apply that to new releases from Chris Campbell, David T. Little, and Aaron Irwin.

Send Chutes and Ladders

fire escape

Music makers must place a high priority on and devote precious resources to being effectively present in this general music marketplace—to being where music fans are, so that those who are interested in what’s available can find and enjoy it.

Sounds Heard: Ingram Marshall and Jim Bengston—Alcatraz and Eberbach

Ingram Marshall: Alcatraz

In the two audio/visual compositions by Ingram Marshall (composer) and Jim Bengston (photographer) included on a recent surround-sound DVD release from Starkland, the artists offer an especially effective marriage of these two realms. Taken together, they arrive like a series of postcards relaying vivid, complex impressions of places—perhaps sent by residents now long gone.

Evolving the Old, Inviting the New

Is this thing on? Welcoming new voices to NewMusicBox in 2014

You may have noticed some new bylines behind our blog posts this week. In an effort to keep pace with the myriad ideas and issues vibrating through our field, we’ll be inviting two new columnist to join us each month in 2014.

Lisa Bielawa: Fire Starter

Lisa Bielawa

It’s difficult to stand anywhere near composer and vocalist Lisa Bielawa and not feel energized by proximity. An extrovert to the core, she acknowledges that her highly social nature has taken her in some specific directions both as a composer and as a musical citizen.