Composer/bassist/singer Esperanza Spalding named the year’s Best New Artist; Michael Daugherty’s Metropolis Symphony (Naxos) brings him Best Orchestral Performance and Best Classical Contemporary Composition recognition.
As a co-founder of the New Amsterdam record label and the NOW Ensemble, composer Judd Greenstein thinks deeply about the changes he wants to see in the field and dedicates his time and talents to putting them into action. He is by turns idealistic and pragmatic, motivated by a desire to challenge artists and audiences, but also to keep pace with economic and social developments. “The world that we as composers and performers were operating in expanded exponentially,” Greenstein explains. “Now the conversation is with everyone.”
At a trim 33 minutes, the album version of Richard Einhorn’s The Origin (an evening-length multi-media piece built up around the life and work of Charles Darwin) focuses on just six excerpts scored for vocal soloists, drawn from the full production which also includes chorus, orchestra, and projected film.
Amplifications is a snow storm of a record, a beautiful heap of sound with some sharp icicle edges buried inside, a 35-minute shower of glistening sonic elements that transfix the ear with their beauty and only reveal their true weight once the storm is over.
The content is relatively simple: a series of struck tones of varying speeds set against the drone of the sine wave.
Meet The Composer has launched a new online tool to generate increased audience engagement and public funding for composers of new music.
Christopher Theofanidis is a composer focused on the big picture. Whether scored for a full compliment of choral and orchestral musicians or a more conservative troupe of chamber players, his music carries aspects of his expansive approach to life and listening. Read the interview…
Michael Hersch’s disc of two sonatas for unaccompanied cello showcases the kind of work that doesn’t miss the emotionally engaging forest for the technically sophisticated trees.