At a trim 33 minutes, the album version of Richard Einhorn’s The Origin (an evening-length multi-media piece built up around the life and work of Charles Darwin) focuses on just six excerpts scored for vocal soloists, drawn from the full production which also includes chorus, orchestra, and projected film.
Amplifications is a snow storm of a record, a beautiful heap of sound with some sharp icicle edges buried inside, a 35-minute shower of glistening sonic elements that transfix the ear with their beauty and only reveal their true weight once the storm is over.
The content is relatively simple: a series of struck tones of varying speeds set against the drone of the sine wave.
Meet The Composer has launched a new online tool to generate increased audience engagement and public funding for composers of new music.
Christopher Theofanidis is a composer focused on the big picture. Whether scored for a full compliment of choral and orchestral musicians or a more conservative troupe of chamber players, his music carries aspects of his expansive approach to life and listening. Read the interview…
Michael Hersch’s disc of two sonatas for unaccompanied cello showcases the kind of work that doesn’t miss the emotionally engaging forest for the technically sophisticated trees.
The biggest reason for fans of culture to run out and see Music Makes a City, a new documentary directed by Owsley Brown III and Jerome Hiler, might be the core suggestion it makes: that when times get tough, the talented get bold.
Planets, the latest release from Brooklyn lit rockers One Ring Zero, proves itself to be made up of lovely, carefully crafted music that dips into a whole mess of genre styles and timbral possibilities.