Author Archives: Molly Sheridan

About Molly Sheridan

Molly Sheridan is a writer, editor, and producer specializing in classical and experimental music, with a focus on multimedia content designed for the web. A winner of ASCAP’s Deems Taylor Award for music journalism, she is the executive editor of NewMusicBox and Counterstream Radio, both programs of New Music USA.

Data-Driven DJ Brian Foo: Statistics That Sing

Brian Foo poster

By combining data, algorithms, and sampled sounds, Brian Foo is using his computer programming skills to learn how to make music. In the process, he’s turning these raw materials into deeply engaging and memorable sonic experiences.

Now Hear This: NMBx Interviews Now On SoundCloud

NMBx on SoundCloud

Introducing a new way to enjoy the music and interviews NewMusicBox collects every month! You can now sit back and listen to audio-only versions of the profile videos we have created in a single continuous stream, or pick and choose to create your own playlist.

Friday Informer: Where Profanity Meets Art

sororatorio

Earlier this month, Nouveau Classical Project premiered Vin Calianno’s Sororatorio: a Cuntata, which took as its text the famed, absurdly vulgar 2013 email lashing delivered by a Delta Gamma chapter president. So just how did he end up setting that much anger and profanity to music?

Erik Friedlander: Stories Without Words

Erik Friedlander

“It’s not your skill level, it’s how much you communicate,” cellist Erik Friedlander advises. “It’s how much you express that the audience really wants to hear. They come to hear you be real.”

Robert Dick’s The Other Flute Mocked on Network TV

Robert Dick
Photo by Carla Rees Dawson

Jimmy Fallon spent 50 seconds during Monday’s Tonight Show making fun of pioneering flutist and composer Robert Dick’s name and textbook. Now Dick is hoping to get invited on the show himself so he can let his artistry do the talking instead.

Miranda Cuckson: String Alchemist

Miranda Cuckson

Violinist Miranda Cuckson embraces even the sharpest, most unapproachable-seeming pieces, conveying the music with such palpable control and insight that it’s as if she’s holding the door into these worlds open for the audience.

Gelsey Bell: Get a Little Closer

Gelsey Bell

With a background that spans music theater, woman-at-the-piano club shows, and the presentation of experimental work, Gelsey Bell finds herself most at home in spaces of creative risk and vulnerability.

Ken Thomson: Energized Complexities

Thomson square

Thomson’s often-complex work is carefully designed and communicates powerfully in live performance without exhausting the audience. We chat with him off stage about how he navigates multiple projects and genres while keeping listeners on the edge of their seats.

Susan Alcorn: Fearless Slides

Susan Alcorn

Composer, improviser, and pedal steel guitarist Susan Alcorn came up playing country and western music, but her ear eventually led her down a decidedly more singular experimental path. “You’ve got be naked in your mind to be able to play and express yourself—you have to be naked and fearless and that’s not easy, especially the older you get.”

We Are Sitting In (Another) Room: Improv with Architecture

countryman phase shifter

Today marks the 40th anniversary of Nicolas Collins’s Pea Soup, a piece that uses electronics to “play” the signature acoustics of a space. In honor of that milestone, Collins today unveils Pea Soup To Go, a free virtual jukebox programed with recordings of 70 different versions of the work.