Articles by Mark Adamo
The harp is to the orchestra what the bosomy babe is to the spy thriller: sensuous, indispensable, and almost invariably ornamental. But if the babe is a real actor, shouldn’t she have a real role?
The harp is to the orchestra what the bosomy babe is to the spy thriller: sensuous, indispensable, and almost invariably ornamental. But if the babe is a real actor, shouldn’t she have a real role?