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Articles by Marc Weidenbaum

The Procedural Hows and Theoretical Whys of SoundCloud.com
April 11, 2012 / By
The Procedural Hows and Theoretical Whys of SoundCloud.com

SoundCloud.com has quickly become the default go-to site for music hosting by all manner of musicians. The following overview is intended to provide an introduction to making use of SoundCloud, including some tips for maximizing one’s efforts, as well as some passing contextual and tactical thoughts on why SoundCloud has proved as popular and functional as it has.

Luciano Berio’s Sinfonia, Generational Perspectives, and the Fluid Nature of Copyright in a Classical Context
May 9, 2011 / By

One of the fundamental aspects of Berio’s compositional approach is his use of pre-existing composition, from Mahler to folk song, to his experiments in tape collage and other forms of electronic manipulation—and the copyright aspect of that is never touched on in David Osmond-Smith’s Berio.

Juiced In It: Bob Dylan and the Consequences of Electricity
December 12, 2007 / By

Bob Dylan, synonymous with plugging in, has much to say about electronically mediated music.

Upwardly Mobile: What we talk about when we talk about laptop music
May 30, 2006 / By

In the few days since the publication of “Serial Port: A Brief History of Laptop Music,” I’ve already begun to hear from people, some referenced in the story itself, others simply involved in the culture at large.

Serial Port: A Brief History of Laptop Music
May 24, 2006 / By
Serial Port: A Brief History of Laptop Music

Computer music is nothing new, though it has certainly blossomed in the past decade thanks to the rapid spread of personal computing. The question is: What’s “laptop music”?