Author Archives: Frank J. Oteri

About Frank J. Oteri

Frank J. Oteri, New Music USA's Composer Advocate and the Senior Editor of NewMusicBox, is an outspoken crusader for new music and the breaking down of barriers between genres. Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality.

Sounds Heard: Sean Hickey—Concertos

I’ve always found it remarkable that Sean Hickey, who is also the national sales and business development manager for Naxos of America, has had time to create any music of his own. But what is perhaps even more extraordinary is that despite his seemingly never-ending immersion into so many other people’s music, he has found his own distinctive compositional voice.

2013 BMI Student Composer Awards Announced

Ten young composers received cash prizes totaling $20,000 during the 61st Annual BMI Student Composer Awards. Among the winners were Juan Pablo Contreras who received the William Schuman Prize, the top honor, and Michael D. Parsons who received the Carlos Surinach Prize, awarded to the competition’s youngest winner, for the second consecutive year.

A Temple for the Familiar

The centerpiece of the concert I attended on Saturday night was Tchaikovsky’s Symphony No. 5, a piece of music that is performed almost every season by virtually every orchestra in the world. While I attended the concert because of a new work on the program, I have to admit that most of the people in the audience wanted to hear Tchaikovsky.

Troy Herion: Sonic Imaging

Troy Herion’s interest in making movies grew directly out of making music. It was a way to further extend the possibilities of what music can be. And in works like Baroque Suite and New York: A City Symphony, Herion has fused visual and sonic elements together so symbiotically that it is difficult to imagine them independent of one another.

American Repertoire Spring

The only way that any music created on our own soil will ever be able to compete with the standard repertoire—both in terms of audience devotion to it and the high level at which it is regularly performed—is for our own music to be programmed more frequently. Luckily that seems to be starting to happen!

Sounds Heard: Heather Schmidt—Icicles of Fire

Aside from its inherent interest due to the broad range of music that composer Heather Schmidt has fashioned out of one of the more traditional chamber music duo configurations, a new Centrediscs recording of her music for cello and piano duo is a wonderful documentation of an ongoing collaboration between an interpreter (cellist Shauna Rolston) and a composer who is also featured herein as the pianist.