Natasha SinhaPhoto by Raj Sinha Natasha Sinha talks with Frank J. Oteri at the New York City offices of ASCAP May 24, 2001—11:30 a.m. Conversation videotaped by Jenny UndercoflerTranscribed by Julia Lu The Life of a Composer The Process of Composing, Audiences and Peers Musical Influences From Notation to Performance Program Music and the Avant-Garde […]
There is much to learn from all of the world’s musical traditions.
Terry RileyDrawing by Melissa Richard Terry Riley in conversation with Frank J. Oteri@ the Wortham Theater Center, Houston, TX February 16, 2001 Transcribed by Julia Lu Earliest Musical Experiences Studying Composition and Discovering Jazz The Birth of Minimalism and In C Studying Indian Music Solo Keyboard Improvisations Just Intonation String Quartets & Other Chamber Music […]
Michael Tilson ThomasPhoto by Terrence McCarthy Michael Tilson Thomas talks with Frank J. Oteri@ the New World Symphony, Miami Beach, FL Monday, April 16, 2001, 1:00 p.m. Transcribed by Julia Lu American Music and Welcoming in the Vernacular Orchestras as Repertory Companies Advocating American Repertoire Difference in the Reception of Music and Art American Music […]
If we are to be part of a viable international musical culture, we must honor our own achievements as a fundamental portion of the larger world-based continuum.
Robert Ashley at his home in New York City March 13, 2001, 1:00pm Transcribed by Julia Lu Filmed by Jenny Undercofler Download the Entire Transcript [52K Acrobat PDF] FRANK J. OTERI: I’ve been following your music for over 20 years and am a huge fan of your work which is often hard to describe to […]
Composing music for the stage.
Photo by Lourdes Delgado February 8, 2001 at The Jazz Standard, NYC Members: Ben Allison Frank Kimbrough Ted Nash Michael Blake Ron Horton with Frank J. Oteri Conversation transcribed by Karyn Joaquino Precedents for the Collective Mutual Influence Ken Burns What is Jazz? Jazz Composition Herbie Nichols Reactions to Other People’s Interpretations Rights and Wrongs […]
What exactly is a jazz composer and what constitutes a jazz composition?
The very expression “chamber music” designates music that is site specific more than anything else.