Carl Stone California-based composer, radio host and computer music guru Carl Stone meets NewMusicBox editor Frank J. Oteri at the American Music Center Tuesday, October 17, 2000, 10 AM – 12 p.m. Filmed by Jenny UndercoflerTranscribed by Lisa Kang Formative Experiences The 20th Century and Pre-Recorded Sound Intellectual Property Barbie Getting Sampled vs. Getting Plagiarized […]
Unlike the impending Presidential election, there are tons of musical choices in SoundTracks this month ranging from new recordings of acknowledged American musical masterpieces to rediscoveries of overlooked musical treasures to works from newly-emerging composers never before on CD. In the orchestral music department, there is a new recording of Charles Ives’ Symphony No. 2, […]
There needs to be a greater musical awareness among the people who hold our elected offices. But there also needs to be a greater political awareness on the part of people who make and shape music in this country.
An aerial view of the South side of the White House Compiled by Frank J. Oteri andJenny UndercoflerAdditional research by David Hughes The Role of Music in American Life Personal Attitudes About Music Great American Composers Other Favorite Presidential Musicians Music & Diplomacy: International & Domestic The Chief Executive as Music Critic Some Thoughts About […]
I’ll never forget the utter amazement I experienced the first time I was exposed to the notion of “microtonal music.”
John EatonPhoto by Lloyd DeGrane, courtesy of The University of Chicago Chronicle August 3, 2000 – 1:00 to 3:30 pm John Eaton in conversation with Frank J. Oteriat The American Music Center Filmed by Jonathan Murphy and David HughesTranscribed by Karyn Joaquino A Non-Theoretical Approach to Microtonality Writing Microtonal Music and Practical Realities Audience Perception […]
When classmates told me that the Clash were revolutionaries, I told them to check out pieces like Fontana Mix or It’s Gonna Rain and hear what revolution really sounded like.
Guitarist Gary Lucas has been one of the most in-demand in the realm of experimental rock for decades. Perhaps best known for his stint with Captain Beefheart and the Magic Band, Lucas was also the electric guitarist for the European premiere of Leonard Bernstein’s Mass. Lucas talks about Beefheart and Lenny as well as his numerous fascinating solo projects.
Frank J. OteriPhoto by Melissa Richard Over the years, I have frequently bemoaned the fact that there is no Nobel Prize for Music. While only in my most musically zealous moments I’d claim that musical contributions are as significant as strides toward world peace, even in my soberest moments I know in my heart that […]