A bias against the word “critic”.
Frank J. OteriPhoto by Melissa Richard All my life I have had a love-hate relationship with music notation. Of all the art forms (from sculpture to literature to dance), music is the only one that sates the ears rather than the eyes. (Would that there were highly developed art forms that deeply provoked the intellect […]
George CrumbPhoto by Sabine Matthes, courtesy C.F. Peters Corporation Frank J. Oteri in conversation with George Crumb at his home in Media, PA Friday, July 12, 2002—Noon Filmed and Transcribed by Amanda MacBlane The Goal of Music Notation Working with Performers Striving for Simplicity The Working Process Theatricality and Setting Text Tradition and Factionalism The […]
Merce Cunningham New York, NY – April 17, 2002On the roof of the Cunningham Studios Filmed and Transcribed by Amanda MacBlane The Meaning of Dance Life Forms Dance Independent From Music Chance Operations Training Dance on Film and Motion Capture Computer Technology Newness in Dance vs. Newness in Music Suite for Five in Space and […]
Clark Terry, Dave Holland, Henry Threadgill, John Medeski, Cassandra Wilson, Ira Gitler, and Gary Giddins were among the musicians and journalists honored.
Frank J. OteriPhoto by Melissa Richard The first orchestral music recording I ever bought was a used flea market LP of the Bartók Concerto for Orchestra, a great American classic by an émigré who believed that musical composition could not be taught. But I, like many others, have learned so much from that piece. I […]
Frank J. OteriPhoto by Melissa Richard In the past six months, the concept of patriotism has been a dominant theme in conversations all over this country and around the world. Ironically, creative originality is rarely among the enumerations of what it means to be an American. From my vantage point, that seems to be what […]
Frank J. OteriPhoto by Melissa Richard I was lucky to have had two brief encounters with John Cage that were both defining moments though in very different ways. The first time I met John Cage was at a bookstore in Greenwich Village where he was autographing copies of his new book For The Birds. I […]
Christian Wolff Friday, January 11, 2002—4:33 p.m. Greenwich House Music SchoolNew York, NY A Conversion to New Music Meeting Cage & the Genesis of Indeterminacy Interpreting Indeterminate Music Compositional Intent On Serialism & Complex Modernism On Neo-Romanticism & Politics Christian Wolff—Rock Star? The Orchestra Listening Music and A Career Sonic Gallery Complete Interview Transcript (160KB […]