Perhaps if we had to travel further away to hear a concert, we’d value the experience more.
If you’ve already heard the new music that you’re currently listening to, maybe it isn’t so new.
If being forced to work quickly doesn’t guarantee that you’ll create something outside what you normally do, what would guarantee such a result? Is it really ever possible to escape yourself in your work?
Elliott Carter gets a chance to hit a home run in Boston and Chicago at the same time, not even Bernie Williams can do that!
Stravinsky, Zappa, NWA, and possibly Ives, all had second thoughts about works that are considered landmarks of musical history. But, if the second thought happened after the historical fact, can the revision still be a landmark in history?
Rather than complaining about the lack of attention the music we care about is getting in the media, we need to create media ourselves.
Yesterday at a press conference for Dr. Atomic, its outspoken and sometimes provocative director and librettist Peter Sellars suggested that perhaps there are some places that art should not go.