I’m trying my best to recover from list-o-mania (you know, obsessing over all these lists of the greatest “fill in the blank”). However, my fuming while reading through all these lists did inspire some new lines of questioning about our relationship to the music we care about and its seemingly fragile relationship to the world beyond us.
I’m one of these folks for whom ambient music is a terrific foreground experience: Brian Eno, early Aphex Twin, bring it on. I hear in this music what in fact is an extremely fluid relationship with the intentionally foreground minimalist music I enjoy listening to more than most things. So it’s always nice when the […]
Music is a very central part of the clothing store experience, but maybe there could be better music for such an environment than the music most clothing stores choose.
Performed by the Martinu Quartet There’s a real smorgasboard of musical styles in the string quartets of Elliott Miles McKinley, which is as fitting for someone who studied with William Bolcom as it is for the son of William Thomas McKinley who, according to the booklet notes accompanying this CD, was named after Elliott Carter […]
Joshua Gordon, cello; Randall Hodgkinson, piano Those wonderful tone clusters that Henry Cowell allegedly invented actually surfaced in the lush hyper-Romantic solo piano music of Leo Ornstein several years earlier. They are one of the delights of Ornstein’s early chamber music as well, including the first of his two cello sonatas from 1915 featured on […]
Sebastian Currier has been awarded the $200,000 Grawemeyer Prize for Music Composition for his quintet Static, a 2003 work for flute, clarinet, violin, cello, and piano.
James J. Pellerite, Native American flute; Moravian Philharmonic conducted by Lawrence Golan The traditional Native American flute is an extremely expressive instrument, but it is almost invariably played unaccompanied. So it’s great to hear Comanche composer David Yeagley’s single movement concerto, Wessi vah-peh, and the other concertante works featuring Native American flute with a symphony […]
While initially my wife and I were extremely excited about an iPod (after all, our society instills in us the desire for the latest technological innovation), the charm wore off as soon as we talked about what music we would put on it.
Hearing Charlemagne Palestine’s magical approach to the piano live is one of the great “have to be there” experiences. As wonderful as his all-too-rare appearances on recordings have been, none really captures the total experience: in which his maniacal minimalist solo piano pyrotechnics are often accompanied by a sea of teddy bears and a snifter […]
Sometimes extraneous noise, while hindering the ability to listen with undivided attention to the actual performance, is part of what makes concerts in alternative spaces exciting, socially-engaging events.