Today we’re celebrating our eighth anniversary online, but it seems like we’ve still only scratched the surface.
For the brief all-too-finite period of time of the ASCAP I Create Music Expo we were all one community, albeit one that is defiantly not monolithic, even within individual stylistic paradigms.
I’m simultaneously ecstatic and somewhat puzzled by the choice of Ornette Coleman’s Sound Grammar as the winner of the 2007 Pulitzer Prize in Music
It is impossible to assess the general public’s receptivity to “good music” from passers-by ignoring a performance by Joshua Bell; all you can assess from this stunt is the basic human need for filters and frames to guide perception.
I had three experiences during my first-ever visit to Cleveland this past weekend which offer some interesting variations on the theme of getting more people interested in hearing new music.
While it is extremely convenient to simplify ideas through binaries and compartmentalization, art (and indeed human nature) is rarely so clear cut.
Houston-based composer and pianist Pierre Jalbert has been awarded the Chamber Music Society of Lincoln’s Center’s $25,000 Stoeger Prize in recognition of his achievements in chamber music composition.