Author Archives: Frank J. Oteri

About Frank J. Oteri

Frank J. Oteri, New Music USA's Composer Advocate and the Senior Editor of NewMusicBox, is an outspoken crusader for new music and the breaking down of barriers between genres. Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality.

Sounds Heard: Zevious—Passing Through the Wall

Zevious

This trio of guitarist Mike Eber, cousin Jeff Eber on drums, and bassist Johnny DeBlase make spare, taut music that is also chock full of dueling layers of angular counterpoint couched in polymeters. But despite its austerity and complexity, it’s surprisingly easy to listen to—perhaps an appropriate irony for a band whose name rhymes with devious!

Jingle Those Bells

Recycled Tanenbaum

We’ve come to the boxes on the calendar when everything seems to grind down to a murmur, even in the era where the arbiters of the zeitgeist say that we want to and are supposed to remain connected 24/7/365 thanks to the miracle of digital technology.

2013 ASCAP Foundation Awards Announced

Peter Stoller presenting the Leiber and Stoller Music Scholarship to Alexis Hatch. Photo by Scott Wintrow, courtesy ASCAP.

Award-winners in over 50 categories spanning composers writing for symphony orchestra and chamber ensembles, jazz groups, musical theatre, film and television, as well as rock, R&B, country and children’s songwriters, were honored at the ASCAP Foundation’s 18th Annual Awards Ceremony.

Some Additional 2014 Grammy Nominations

Grammy

While mainstream media outlets have called attention to Jay Z’s nine nominations as well as contenders such as “Blurred Lines” (the Robin Thicke song and not the 10-minute microtonal violin and harpsichord duo by Canadian composer John Beckwith), there have been fewer reports about nominees in other categories and there are a total of 82 of them this time around.

Fair and Balanced

Scales of Justice

Until we rid ourselves of the notion that the best music of all time was created by a handful of men who lived an ocean away from us and who all died more than a century before any of us were born, we will never have programming that truly reflects the vast array of musical creativity all around us.

In and Out of Jetlag

Four Clocks featuring time from New York City, Vienna, Moscow, and Beijing

Jetlag finally caught up with me over the holiday weekend, but it got me thinking about music and the way that music plays with listeners’ perceptions of chronological time.

From Darmstadt to the Shopping Mall

ORFEar

There have been few additions to the canon of “classical” music from Africa, or most of southern Asia and Oceania. And yet, despite the efforts of extremists in various parts of the world, some form of music is created, performed, and listened to in every nation on the planet; music is one of the few pan-terrestrial human activities.

Every Place is a Musical Capital

The Mediterranean Sea

When I admit to most music aficionados that I am visiting Vienna for the first time next week they tend to be shocked. How can someone who claims to be so enamored of music have not made the requisite pilgrimage to the musical capital of the world? But great music takes place all over the planet and you can find amazing things to listen to wherever you go.

Laura Kaminsky: Every Place Has a Story

Laura Kaminsky: Every Place Has A Story

For thirty years, in addition to writing her own socially and environmentally charged music, Laura Kaminsky has worked behind the scenes allowing other composers to have an opportunity to get their voices heard.

Making It Matter

Two Boys

The music that can most clearly relate to the ongoing concerns in our society is the music that is being created right here right now.