Author Archives: Frank J. Oteri

About Frank J. Oteri

Frank J. Oteri, New Music USA's Composer Advocate and the Senior Editor of NewMusicBox, is an outspoken crusader for new music and the breaking down of barriers between genres. Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality.

Sounds Heard: Azure Carter & Alan Sondheim—Avatar Woman

Avatar Woman

In the alternate universe I often wish I lived in, Azure Carter and Alan Sondheim’s “Making Boys” (from their new album Avatar Woman) would be a Top 40 hit. In the real one I do live in, it sounds like what might have happened if Jacqueline Humbert sang Robert Ashley’s songs with Eugene Chadbourne.

Miya Masaoka: Social and Sonic Relationships

masaoka-boxslide

Whether she’s using a koto as an expressive vehicle for anything from jazz standards to electronic experimentation, writing idiosyncratic music for chorus and now orchestra, or creating music with plants and even insects crawling over her body, Miya Masaoka has been making us look and listen to the world around us in totally new ways for decades.

2014 ASCAP Concert Music Awards

Wheaties

Maria Schneider, Paola Prestini, James M. Kendrick, John Nuechterlein and the American Composers Forum, plus the 27 recipients of the 2014 ASCAP Foundation Morton Gould Young Composer Awards, were honored by the American Society of Composers, Authors, and Publishers (ASCAP) during its 15th Annual Concert Music Awards.

2014 BMI Student Composer Awards Announced

BMILogo

Eight young composers, aged 14 to 27, received cash prizes totaling $20,000 during the 62nd Annual BMI Student Composer Awards. Among the winners were Michael Boyman and Daniel Temkin who tied for the William Schuman Prize, the top honor, and Benjamin P. Wenzelberg who received the Carlos Surinach Prize, awarded to the competition’s youngest winner.

2003: Difficult Memories

Robert Hilferty

In terms of world affairs, 2003 was probably one of the most turbulent years. So did that play out in the music? It depends on how you want to think about it.

Trying to Put On Those 2002 Glasses

2002_glasses

What music most appropriately captures the zeitgeist of 2002? Steve Reich’s Daniel Variations (created in response to the shocking February 2002 murder of Wall Street Journal’s South Asia Bureau Chief Daniel Pearl) was not composed until 2006, but another Reich work, his apocalyptic Three Tales (created in collaboration with Beryl Korot) immediately stands out in my mind.

The Odyssey of 2001

Amanda MacBlane

When looking back at 2001 for its musical significance, all I can say is that music is ultimately what kept us going when the events of September 11 unfolded in New York City.