Archives

Paul Moravec: The Whole Range of Human Emotion

Paul Moravec in Central Park

Shakespeare’s plays, a novel by Stephen King, and personal letters from American soldiers written in wartime have all served as inspiration for compositions by Paul Moravec. However, when he is composing more abstract instrumental works, like his extremely beautiful Violin Concerto, Moravec claims there is always “a kind of musical narrative” at work even if it does not have a precise verbal meaning.

Jessie Montgomery: Conjuring Memories

Jessie Montgomery standing against a red wall.

Although she grew up in a very culturally diverse New York City neighborhood that has also long been a hotbed for artistic experimentation and rebellion, composer/violinist Jessie Montgomery most strongly identifies with European classical music.

Henry Threadgill wins 2016 Pulitzer Prize in Music

Henry Threadgill

In for a Penny, In for a Pound by Henry Threadgill (released on Pi Recordings on May 26, 2015) has been named the winner of the 2016 Pulitzer Prize in Music. In addition, Lin-Manuel Miranda’s musical Hamilton has been awarded the 2016 Pulizter Prize for Drama.

Muhal Richard Abrams: Think All, Focus One

Muhal Richard Abrams sitting in front of the New Music USA mural (created by the staff at New Music USA in 2015)

To Muhal Richard Abrams, there are no boundaries. Any label we put on something—fixed composition vs. spontaneous improvisation, group vs. individual, even old music vs. new music—is artificial and limits possibilities. From his vantage point, all dualities are contained within each other.

Saad Haddad: It’s Not Going to Be Exact

Saad Haddad

Though born, raised, and compositionally trained in Southern California and currently pursuing a master’s degree at Juilliard under the tutelage of John Corigliano, 23-year-old Saad Haddad has been focused on creating music that incorporates traditional Middle Eastern musical aesthetics. But he is not at all dogmatic in his transfer of Arabic music theory to pieces that are designed to be interpreted by musicians trained in Western classical music and performed for its usual audiences.

Missy Mazzoli: Communication, Intimacy, and Vulnerability

Missy Mazzoli in her composition studio.

Whether she is writing for orchestra, chorus, solo piano, an opera, or her own indie-rock inspired chamber ensemble Victoire, Missy Mazzoli is still “asking the same questions” and “finding different answers to the question of how to bring an intimate, vulnerable, human experience to a situation.”

Composer Advocacy Notebook: A Tale of Three Cities

Man sticking hand inside tuba bell shaped bowl next to another man holding a doll wearing an elf cap.

Over the course of the last eight weeks I attended three significant national music events which were extremely different from each other in terms of scope and scale—the 2016 Minnesota Orchestra Composer Institute, the annual Chamber Music America conference, and the Midwest Clinic, the world’s largest music gathering.

Page 1 of 8312345Last »