Author Archives: Frank J. Oteri

About Frank J. Oteri

Frank J. Oteri, New Music USA's Composer Advocate and the Senior Editor of NewMusicBox, is an outspoken crusader for new music and the breaking down of barriers between genres. Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality.

“Which of these Aaron Jay Kernises am I?”

kernis-poster

An orchestra sensation at age 23. Published by 30. Then a Pulitzer Prize and a Grawemeyer. Now a biography. What’s left after someone writes up the story of your life? Aaron Jay Kernis just keeps on going, continuing to balance composing, teaching, and raising a family.

Robert Honstein: Oblique Strategies

Robert Honstein

One of the themes Robert Honstein frequently comes back to in his pieces is technology and how it impacts on our lives, yet ironically his music thus far has been anything but high-tech. Aside from the occasional electric guitar or electric bass, Honstein’s timbral palette consists predominantly of acoustic instruments. If that somehow seems contradictory, it’s more a by-product of his being attuned to the world we currently live in but not feeling straitjacketed by it.

Jim Staley and His Home for New Music—Roulette @ 35

StaleyPortrait

Tons of people have devoted their whole life to new music, but few people have done so to the same extent as composer/trombonist Jim Staley, who for more than a quarter of a century devoted his home to it as well. But 35 years on, Roulette has moved boroughs and has gone from being new music in someone’s home to a home for new music.

Sounds Heard: Adam Berenson—Lumen

Berenson--Lumen

The more you listen to Lumen, an extremely expansive two-CD set culled from twenty years of recordings of music by Philadelphia-area composer/pianist Adam Berenson, the less aware you are of whether the music was composed a priori or improvised on the spot.

Pablo Ziegler: Making the Music Dance

Photo of Pablo Ziegler Outside his Apartment

Pablo Ziegler, who has been the de facto source for the interpretation of Piazzolla’s music for over twenty years, is an important composer of nuevo tango in his own right. Now based in Brooklyn (though he’s constantly traveling to perform all over the planet), Ziegler has a particularly strong affinity for improvisation and loves to mix tango and jazz.

Sounds Heard: Azure Carter & Alan Sondheim—Avatar Woman

Avatar Woman

In the alternate universe I often wish I lived in, Azure Carter and Alan Sondheim’s “Making Boys” (from their new album Avatar Woman) would be a Top 40 hit. In the real one I do live in, it sounds like what might have happened if Jacqueline Humbert sang Robert Ashley’s songs with Eugene Chadbourne.

Miya Masaoka: Social and Sonic Relationships

masaoka-boxslide

Whether she’s using a koto as an expressive vehicle for anything from jazz standards to electronic experimentation, writing idiosyncratic music for chorus and now orchestra, or creating music with plants and even insects crawling over her body, Miya Masaoka has been making us look and listen to the world around us in totally new ways for decades.