Articles by Danielle Kuhlmann
By Danielle Kuhlmann
We horn players are unfortunately familiar with being thrown into either extreme: three pages of rests and whole notes, or six pages of painful high notes, awkward leaps, and impossible fingerings.
By Danielle Kuhlmann
We horn players are unfortunately familiar with being thrown into either extreme: three pages of rests and whole notes, or six pages of painful high notes, awkward leaps, and impossible fingerings.