Richard Taruskin’s six-volume Oxford History of Western Music in perspective.
Daniel Felsenfeld Paul Bowles wrote, in his autobiography, of watching his friend John Cage listening, for the first time, to an acetate of one of his own string quartets—and laughing inconsolably. For years, we have been swallowing Cage and the PR machine around him as a truly serious presence, as a composer in the great […]
Daniel Felsenfeld Waiting in the Iberia terminal of New York’s JFK airport, I am more nervous than usual. The flight, much delayed, will soon spirit me away to Madrid, Spain; after a few connections I will ultimately end up in Gijon, Asturias, a small city on the north coast. There, at the jejune-but-mighty Piano España […]
Timothy Andres The Davidson Institute for Talent Development, which is a Nevada-based non-profit organization that has as its mission “…nurturing profoundly intelligent young people,” has awarded Timothy Andres, a gifted composer from Connecticut, one of its fellowships, which includes a $25,000 scholarship. Timothy, who is just beginning his studies at Yale University, has already composed […]
Daniel Felsenfeld in the woods.Rear Screen Projection by Randy Nordschow In her seminal novel A Room of One’s Own, Virginia Woolf famously wrote: “…a woman must have money and a room of her own if she is to write fiction.” That was then, in post-Victorian England. Now, here in America, all artists—not just women—need these […]
Daniel Felsenfeld I want to tell you a story about my new favorite composer. A few months ago a mass was performed by an amateur choral society. Commissioned for the occasion from a local composer/conductor Tristan Foison, the piece was given to the group gratis—they would have to pay no performance rights for this first […]