Author Archives: Chris Kallmyer

Goofing off, Perfected: Lessons from Fluxus

From Yoko Ono’s 1971 edition of Grapefruit

Fluxus and their Event Scores point to our human condition in a way that is wildly dynamic. The score is an invitation, a call to action, and first-hand study and performance of these scores would be healthy for any of us.

On the Purpose of Art in 700 Words or Less

street musicians

Moving to a new town has triggered something inside of me that makes me question everything I do. In trying to analyze the elements of music—Where does it take place? With whom? In what notation? With what instruments?—I’ve been pulled back to a central question: What is our music for?

Tilting the Frame: Notes on an Alternative Education

A Bookbinding workshop at Mildred’s Lane.

If our aim is to become smart and savvy makers of sound and performance, what models can be adopted from other fields to encourage the development of new works, new ideas, and new musics hitherto unknown? How can we best support the newest generation of composers, performers, sound artists, and thinkers?

Towards a More Visceral Living

John Cage

I often feel that without a detailed study of our music we become lost but, even worse, with only a detailed study of our music we become boring. Embracing a more complicated visceral living through firsthand experiences and outside fields can lead us to unexpected ends. I hope we use our music to examine these living ideas, adding to our cultural knowledge along the way.