Fluxus and their Event Scores point to our human condition in a way that is wildly dynamic. The score is an invitation, a call to action, and first-hand study and performance of these scores would be healthy for any of us.
Moving to a new town has triggered something inside of me that makes me question everything I do. In trying to analyze the elements of music—Where does it take place? With whom? In what notation? With what instruments?—I’ve been pulled back to a central question: What is our music for?
If our aim is to become smart and savvy makers of sound and performance, what models can be adopted from other fields to encourage the development of new works, new ideas, and new musics hitherto unknown? How can we best support the newest generation of composers, performers, sound artists, and thinkers?
I often feel that without a detailed study of our music we become lost but, even worse, with only a detailed study of our music we become boring. Embracing a more complicated visceral living through firsthand experiences and outside fields can lead us to unexpected ends. I hope we use our music to examine these living ideas, adding to our cultural knowledge along the way.
The reason people enjoy music is not for the sonic aspects alone, but for its ability to create an environment where we feel closer to one another.
Perhaps new music is not inaccessible, but the concert hall is.