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Articles by Ann Starr

Sounds Heard: Spark of Being—Music by Dave Douglas, Film by Bill Morrison
April 19, 2011 / By
Sounds Heard: Spark of Being—Music by Dave Douglas, Film by Bill Morrison

The music for Spark of Being lies in a unique area between music improvised for silent film and movie soundtrack, a new space that makes this collaboration and its results magical.

Sounds Heard: Erik Lund—by the line of the arc that they form
February 1, 2011 / By

Erik Lund’s compositions take listeners beyond music, deep into the intersections of art forms and ideas.

Sounds Heard: Steve Butters—Oomaharumooma
October 5, 2010 / By

Steve Butters’s twenty-three brief movements for solo percussion on a text from Henry Miller’s Tropic of Cancer were composed, staged, performed, videotaped, and edited in his home studio over the course of six months; it has never been performed since and may never be performed again because of its many technical challenges.

Moving Away from the Center of Jazz: Thomas Wirtel, a.k.a. Thomas Shabda Noor
August 11, 2010 / By

Soon after Thomas Wirtel, a.k.a. Thomas Shabda Noor, met Morgan Powell at North Texas State University in 1957, experiments in group improvisation commenced on a weekly basis, experiments profoundly informed by music of the 20th-century avant garde.

Morgan Powell on the Creative Process: The Reality of Maborosi
October 7, 2009 / By

By Ann Starr
Composition is a high-risk undertaking with real consequences for the composer’s life and mind; Morgan Powell is drawn to it by the (potentially lethal) need to question; by questions that produce thoughts with unforeseeable outcomes.