Author Archives: Andrew Sigler

Deep Sky Objects: Musiqa’s Season Opener

For more than a decade, Houston’s Musiqa has presented a sort of artistic cornucopia for its audience. Music, dance, and the spoken word come together with other art forms in dynamic multifaceted presentations that keep the audience engaged and on its toes.

Talk About Sound: Austin’s Mother Falcon

Mother Falcon’s sound is born of instrumentation largely rooted in the world of classical music mixed with a healthy dose of an indie rock aesthetic. Nick Gregg and Matt Puckett to talk about the past, present, and future of the group.

The Soundbridge Project: Classical Music Out Of the Halls

I do, on occasion, enjoy putting on a coordinated outfit and drinking from something with a stem prior to my fiddle intake, but for me this is more of a Thanksgiving/Presidents’ Day once-a-year deal than a monthly water bill situation. For my regular listening, I prefer smaller, less formal venues, and fortunately I’m not alone.

Vessel and Ceremony: Convergence Vocal Ensemble

Vessel, a recent concert presented by the Convergence Vocal Ensemble, featured an evening of commissions for four voices combined with a variety of instrumental combinations, including new instruments created specifically for this event. But what was that air compressor for?

Beat the Heat: Austin Chamber Music Center Summer Festival 2012

Doing anything in Austin in the summer can be a bit of a drag, but checking out week after week of top notch chamber players is a pretty spectacular way to pass the time. This annual three-week festival has developed over the years by taking its broad and general title quite literally. It’s not summer classics, new music, or jazz; it’s all that and more.

Talk About Sound: Austin New Music Coop and Cardew’s The Great Learning

Written over several years in the late ’60s and early ’70s, Cornelius Cardew’s The Great Learning was performed over two evenings by the Austin New Music Coop in the spring of 2011. Terabytes of high definition audio and video were recorded during those performances, excerpts of which appear throughout this podcast.

Soli Plays ‘Til the End of Time

San Antonio has a vibrant musical community, and the chamber ensemble Soli is among the strongest proponents of new music in the region. Formed in 1994, Soli has commissioned 17 works in as many years, including the May 8 world premiere of Steven Mackey’s Prelude to the End.