While his background is as academically rigorous as it could possibly be, Tod Machover’s compositional work, as well as his instrument and software design, leans in a direction that can certainly be described as approachable to a broad audience. This was on display in the recent production of his Pulitzer-nominated opera Death and the Powers by The Dallas Opera.
Aperio curates concerts that one night might feature contemporary chamber music from the U.S. (like the one I attended last weekend) and focus on the music of Nicaragua the next. The change in focus from one region to the next over the course of a season helps Aperio track and understand trends on this side of the pond as distinct from concert series that include European repertoire.
When considering new directions in music education, examining how students are taught is important, but so to is developing ways to reach students who otherwise might not have the opportunity at all. Through El Sistema, hundreds of thousands of Venezuelan musicians have been educated over the past three decades; El Sistema USA is now providing ensemble music lessons to thousands of underserved students throughout the US as well.
Born and raised in Austin, Travis Weller came up playing violin and listening to all sorts of music, eventually gravitating to sounds and instruments that were well outside the norm. We’ve talked about composition, performance, and curation, but I’d never taken the time to speak with him about the instruments he builds. To remedy that, we sat down and talked about three of his creations: The Owl, The Skiffs, and The Steel Bells.