A plea to focus on the composer and the merits or faults of the piece, not the fact that it has the musical version of new-car smell.
Andrew Druckenbrod Those outside the classical music business tend to view it as a specialty. That’s certainly been the case for me as a classical music critic. How many times has someone come up to you, whether you’re a composer, performer, administrator and the like, and just assumed you can name whatever piece is playing […]
Andrew J. Druckenbrodphoto by Allison Schlesinger The twentieth century will be viewed as a time in which composers expanded the range and possibilities of musical language and sound. But also as a period that saw a rift develop between new and old music, especially in the U.S. Here, orchestras delved into the pantheon of dead […]