Author Archives: Alexandra Gardner

Vanishing Act

This is what a movie score is supposed to do—blend so seamlessly into the entire picture (so to speak) that you don’t even notice it.

Sounds Heard: Annie Gosfield—Almost Truths and Open Deceptions

In the liner notes of her latest recording, Almost Truths and Open Deceptions, Annie Gosfield writes of her “parallel lives” performing music with her own band and writing fully notated compositions for other musicians and ensembles. With both of those worlds represented on this recording, it seems more that her two creative worlds are deeply interconnected, influencing one another and sharing common musical elements and sources of inspiration.

The Notation of Friendship and Formality

Whatever type of notation we use—minimal, maximal, standard practice, or completely made up from scratch—it is not only a road map to bring sounds to life, but it also often tells a parallel story of the lives communicating those sounds.

The Need for Speed

Both composers who are prolific and those who are not have reasons for working at their own paces, and it seems that both options (not to mention those in between) can be valid. There has been life-altering music written at the speed of light, and also in the thickest molasses of slowness.

Sounds Heard: Volti—House of Voices

The mission of the 25-member a capella ensemble Volti is to think outside the box of choral music, and to continue expanding that landscape by commissioning new works and championing the music of living, breathing composers. In its latest CD House of Voices, Volti brings its exceptional musicality to the table once again.