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Articles by Alexandra Gardner

NewMusicBox Mix 3: Tracks and Treats
October 30, 2012 / By
NewMusicBox Mix 3: Tracks and Treats

An assortment of tempting recordings to accompany Halloween escapades–from the creepy to the quirky and beyond.

Vanishing Act
October 11, 2012 / By
Vanishing Act

This is what a movie score is supposed to do—blend so seamlessly into the entire picture (so to speak) that you don’t even notice it.

Sounds Heard: Annie Gosfield—Almost Truths and Open Deceptions
October 9, 2012 / By
Sounds Heard: Annie Gosfield—<em>Almost Truths and Open Deceptions</em>

In the liner notes of her latest recording, Almost Truths and Open Deceptions, Annie Gosfield writes of her “parallel lives” performing music with her own band and writing fully notated compositions for other musicians and ensembles. With both of those worlds represented on this recording, it seems more that her two creative worlds are deeply interconnected, influencing one another and sharing common musical elements and sources of inspiration.

The Notation of Friendship and Formality
September 20, 2012 / By
The Notation of Friendship and Formality

Whatever type of notation we use—minimal, maximal, standard practice, or completely made up from scratch—it is not only a road map to bring sounds to life, but it also often tells a parallel story of the lives communicating those sounds.

The Need for Speed
September 13, 2012 / By
The Need for Speed

Both composers who are prolific and those who are not have reasons for working at their own paces, and it seems that both options (not to mention those in between) can be valid. There has been life-altering music written at the speed of light, and also in the thickest molasses of slowness.

NewMusicBox Mix 2: Strings of Summer
August 7, 2012 / By
NewMusicBox Mix 2: Strings of Summer

Sometimes when a theme presents itself, the best action is to run with it!

Brenda Hutchinson: Expanding the Ordinary Moment
August 1, 2012 / By
Brenda Hutchinson: Expanding the Ordinary Moment

Composer, sound artist, and performer Brenda Hutchinson is a natural storyteller. Her great love is documenting the stories and interactions of others, creating oral histories that reveal the transformative power of everyday moments.

Sounds Heard: Third Coast Percussion—John Cage: The Works for Percussion 2
July 10, 2012 / By
Sounds Heard: Third Coast Percussion—<em>John Cage: The Works for Percussion 2</em>

The Chicago-based ensemble Third Coast Percussion has released a new CD and separate surround sound DVD on Mode (available either individually or together) of six early percussion works that will perk up the ears (and eyes, if you choose to include the DVD) of anyone even remotely interested in percussion music performance and/or John Cage.

Sounds Heard: Volti—House of Voices
June 19, 2012 / By
Sounds Heard: Volti—<em>House of Voices</em>

The mission of the 25-member a capella ensemble Volti is to think outside the box of choral music, and to continue expanding that landscape by commissioning new works and championing the music of living, breathing composers. In its latest CD House of Voices, Volti brings its exceptional musicality to the table once again.

This Is a Brain On Music
June 7, 2012 / By
This Is a Brain On Music

In many ways, writing music is very much like speaking a foreign language.