Articles by Alexandra Gardner
An assortment of tempting recordings to accompany Halloween escapades–from the creepy to the quirky and beyond.
This is what a movie score is supposed to do—blend so seamlessly into the entire picture (so to speak) that you don’t even notice it.
In the liner notes of her latest recording, Almost Truths and Open Deceptions, Annie Gosfield writes of her “parallel lives” performing music with her own band and writing fully notated compositions for other musicians and ensembles. With both of those worlds represented on this recording, it seems more that her two creative worlds are deeply interconnected, influencing one another and sharing common musical elements and sources of inspiration.
Whatever type of notation we use—minimal, maximal, standard practice, or completely made up from scratch—it is not only a road map to bring sounds to life, but it also often tells a parallel story of the lives communicating those sounds.
Both composers who are prolific and those who are not have reasons for working at their own paces, and it seems that both options (not to mention those in between) can be valid. There has been life-altering music written at the speed of light, and also in the thickest molasses of slowness.
Sometimes when a theme presents itself, the best action is to run with it!
Composer, sound artist, and performer Brenda Hutchinson is a natural storyteller. Her great love is documenting the stories and interactions of others, creating oral histories that reveal the transformative power of everyday moments.
The Chicago-based ensemble Third Coast Percussion has released a new CD and separate surround sound DVD on Mode (available either individually or together) of six early percussion works that will perk up the ears (and eyes, if you choose to include the DVD) of anyone even remotely interested in percussion music performance and/or John Cage.
The mission of the 25-member a capella ensemble Volti is to think outside the box of choral music, and to continue expanding that landscape by commissioning new works and championing the music of living, breathing composers. In its latest CD House of Voices, Volti brings its exceptional musicality to the table once again.
In many ways, writing music is very much like speaking a foreign language.