Author Archives: Alexandra Gardner

Two-Way Streets

Concern about the younger generation’s role in the future of the arts has been an issue during the entire history of arts organizations.

Nothing New (Under the Sun)

By Alexandra Gardner

I am reminded that it is nearly impossible to make anything that isn’t affected by the filters of our personal experience; that somehow reflects our “genealogy of ideas.”

What do you do?

By Alexandra Gardner

The very American question, “So, what do you do?” at least on the East Coast, is usually the first question asked when meeting new people.

Anger is Not the Only Form of Zeal

The title of this post is taken from an eloquent blog post by Matthew Guerrieri, in response to this essay by Justin Davidson about the “New New York School” of composers. In a nutshell, Davidson complains that for all the talent evident in the bustling New York City new music scene, the actual music written by composers represented in current festivals such as Tully Scope, the Tune-In Festival, and the Ecstatic Music Festival is “shockingly tame.”

Composer Emerging

By Alexandra Gardner

Does an “emerging composer” turn into a straight up “composer” by finishing a doctoral degree, getting a tenure track teaching position or receiving a commission from a major orchestra?

Sounds Heard: Robert Poss—Settings

Although the fourteen works on Robert Poss’s latest CD, Settings: Music for Dance, Film, Fashion and Industry were made to be combined with other forces such as dance, they also stand on their own and together form an assortment of music full of interest and variety.