This selection of chamber works composed between 1993 and 2008 suggest that Becker has an “on/off” switch resulting in either intensely energetic music, or in work of concentrated repose. There isn’t a lot in-between, but clearly such extremes suit the composer.
John Adams’s most recent album, released by Nonesuch, could essentially be seen as an exercise in nostalgia; City Noir, commissioned by the Los Angeles Philharmonic, is an homage to the city of Los Angeles and its movie-making style of the 1940s and ’50s, while the Saxophone Concerto gives a hat tip to Adams’s own jazz-steeped upbringing.
Although composers are always constructing new sonic worlds, Bora Yoon is super-charging that idea through her multimedia and site-specific works. Her performances create immersive environments that, as she puts it, “transport people somewhere, and return them, hopefully changed from the experience.”
Andy Biskin’s quartet Ibid contains clarinet, cornet, trombone, and drums; it’s a quirky group, playing some appropriately zany tunes, to the point where, if you close your eyes for certain tracks, it’s easy to picture a tiny cartoon marching band dancing its way across your field of vision.
Composers Jefferson Friedman and Craig Wedren have joined forces to shove their different-yet-connected musical worlds successfully closer together into the album On In Love. With the ensemble ACME, the two have constructed a group of songs that are dramatic, unpredictable, and beautifully crafted, serving up both both punch and substance.
We are nearly finished with the NewMusicBox @ 15 Anniversary Celebration! This is a look back to some of the most interesting content of 2013 in a “yearbook award” format. Befitting this season of graduations, no?
2012 was so chock full of great content that it was honestly tough to choose these thirteen highlights! Whether you prefer to read, get creatively active, or massage your ears with new sounds, there is something here to tempt.
2011 marked numerous changes—especially within the realm of technology and how we use it—that set NewMusicBox on the path to the present day.
2010 was significant for me personally since I officially began working at The Box that year. Included in this post are links to favorite articles, inspiring composer interviews, and assorted tales from that year.
As you may have noticed, our artist interviews are a hugely important part of “The Box.” The variety of musicians and genres represented are why we coined the slogan, “Expect the unexpected!”