Self-Published Composers Explain What They Do and Why Terry Riley
For many years my written music was being handled for me by a publisher which was somewhat unfamiliar with what is needed to send out scores and parts to orchestras and other chamber groups. I supplied them with masters that were for the most part printed out from my computer notation program (Emagic’s Logic) Although this company has administered my publishing successfully in the sense of collecting publishing moneys owed to me, many mistakes were made, the most humorous being on one occasion sending out the parts to an Orchestra all bound together like a score. I decided to try working with some of the well known Publishers but after some futile discussions with both G. Schirmer and Boosey and Hawkes I decided to get up a Web page and offer my scores directly to the public.
At the moment there is also a page for CD’s with some Real Audio samples of the music, although very few of the scores are represented by audio samples. It is all being operated now by my immediate family and a student. We have to run to the copy shop to get things photocopied as we run out and it is starting to require quite a bit of space as we try to accomodate more inventory. People use the order form printed on the Web page and prepay with checks. I must say although it is a lot of work, I am enjoying the direct contact I get with people ordering my music direct and it satisfies an old desire to have a little “mom and pop shop.”