The Generalization Generation

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When we elevate a certain kind of craft and its formal concerns above all else, this kind of gatekeeping doesn’t just hurt young composers, it also shuts out other potential voices, marginalized voices, voices that could bring new life to new music. It is completely inimical to the spirit of creativity that should animate and drive us.

Memories of Milton

A screen shot from Eric Chasalow's video interview with Milton Babbitt for the Video Archive of the Electroacoustic Music

We have all, at one time or another, had to come to terms with Milton Babbitt’s music, with his ideas about music, and with the place he helped define for composers. Anyone who can make us question the way forward so profoundly is helping us become ourselves, whether we like it or not. Even people who—to put it kindly—were not fond of Milton owe him a debt of gratitude.

What 4’33” Teaches Us

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Whether Cage originally meant it in this way or not, 4’33” is an open invitation to critically engage with silence as a renewable pedagogical act. Andy Costello explores stories of silence—both inside and beyond the traditional classroom—that have little to say and plenty to teach.

…But I Hate Modern Music

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If you happen upon an offensive or meaningless piece of visual art, you can just walk away. A live performance, on the other hand, holds you hostage. What responsibilities does this place on the presenter?

NYFA and EtM Announce Fellowships and Residencies to NY Composers

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The New York Foundation for the Arts has announced the recipients and finalists of its Artists’ Fellowship Program. The organization has awarded unrestricted cash grants of $7,000 to artists working in 15 disciplines, totalling $647,000 to 98 artists (including five collaborations) throughout New York State.

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