Summer Residency Snapshots: Where Trust Meets Productivity

honstein 1

With less pressure to produce concrete results, composers and performers tend to create with more verve. This week, a few more Avaloch New Music Institute examples illustrate how friendship can be a vital collaborative tool and how developing trust over a long period of time generates more interesting, sustainable work.

Showcase of Six New Operas-In-Progress plus an Entire New Opera to be Presented in L.A.

wild UP during a First Take performance

The L.A. based opera company, The Industry, has announced the third installment of its biennial West Coast workshop for new American operas. In February 2017, portions of six new operas-in-progress–composed by Nicholas Deyoe, William Gardiner, John Hastings, Laura Karpman, Marc Lowenstein, and Dylan Mattingly–will be presented as well as the concert premiere of Bonnie and Clyde by composer Andrew McIntosh and librettist Melinda Rice.

Jonathan Kramer’s Gift

Jonathan Kramer’s Gift

Jonathan Kramer’s Postmodern Music shows how our contemporary experience colors and reshapes our audition of everything, from Beethoven to new pieces he never could have encountered. And so his last book, published this month and more than a decade after his death, is not only still relevant; it’s prescient.

An Open Response to “… But I Hate Modern Music”

Cartoon of bolts striking a reddened ear

Subjectivity isn’t actually a matter of taste. It’s a matter of expectation. When it comes to art and artistic renderings, there is, unfortunately, often a disconnect between what an artist is presenting and what an audience believes their price of admission is buying.

Summer Residency Snapshots: Into the Workshop

Arx Duo

Composer/performer collaborations may run in both directions at once: input from performers can help composers create more easily interpretive, idiomatic work, and composers can bring interpretive clarity to hard to parse scores while writing with their collaborators in mind.

Whither Los Angeles: The Émigrés

Whither Los Angeles: The Émigrés

Los Angeles is a place where cultural dichotomies are magnified, and the rift between American and European musical priorities illustrated by the experiences of émigré composers of the ’30s and ’40s offers a powerful case in point. This was a collision of worlds which never fully resolved or came to an agreeable integration, reflecting some of the fundamental fragmentation of Los Angeles.

Summer Residency Snapshots: The Composer / Performer Mind Meld

Invisible Anatomy

For ensembles of composer/performers, neither the tight, goal-oriented schedules of summer festivals nor the creative isolation of writers colonies fit. At Avaloch, both Triplepoint Trio and Invisible Anatomy were able to stretch their legs creatively while being inspired by the diverse community around them.

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